— Maya Angelou
Growing Up or Aging
— Maya Angelou
Mandy Brown: “Are you a writer or a talker? That is, when you need to think about something, do you generally reach for something to write with, or look for someone to talk to?” I am an extreme writer — but I recognize the wisdom in this advice:
Shared by Alan JacobsTalkers need to recognize that not everyone loves to think out loud, and that giving space for writing is part of what it means to make use of the best brains around you. Writers need to remember that writing isn‘t some perfected ideal of thinking and that making space for the messy, chaotic, and improvisational work of talking things out is often exactly what a team needs to create change. Whichever mode you prefer, it’s not feasible to abstain from the other; doing good, collaborative work requires that you practice both modes.
John Feinstein has a suggestion for the soon-to-be new owner of the Washington Commanders—
I was partial to naming the team Pigskins, but I think John has a better suggestion—But there is one decision Harris can make the day he takes over, amid the celebratory fanfare of his “I’m not Dan Snyder” introductory news conference.
Change the team’s name. Yes, again.
How about “Washington Monuments?” Other than the White House, that monument is easily the most recognized landmark in a city full of them. Everyone knows exactly what it is, and it literally towers over the D.C. landscape. It is completely apolitical, the backdrop for so many civic events.
“For decades, the average proportion of humanities students in every class hovered around fifteen per cent nationally, following the American economy up in boom times and down in bearish periods. (If you major in a field like business for the purpose of getting rich, it doesn’t follow—but can be mistaken to—that majoring in English will make you poor.) Enrollment numbers of the past decade defy these trends, however. When the economy has looked up, humanities enrollments have continued falling. When the markets have wobbled, enrollments have tumbled even more. Today, the roller coaster is in free fall.” Nathan Heller in The New Yorker: The End of the English Major.
via NextDraft